“Bus Station” by Eileen Moeller

You:
Mister Bulgy Hair Rasta Man

and You:
Miss Spike Heels short skirt geography tights

and You:
School Uniform Knee sock Girls whispering about school
uniform boys passing by

and You:
Mister White Hair Highland Fling braid down the back

and You:
Mister Prep School Tie and pinstripe attache case

and You:
Mrs. Old Lady like a dumpling

and You:
Mrs. Sleek Chanel gold chain and button everywhere sheer
stocking alligator handbag

and You:
Mister Buzz-cut Leather Jacket Pirate earring tooth gap football fan

NONE OF YOU EVER
NONE OF YOU
NONE OF YOU

NONE OF YOU
EVER WILL

GET INTO A POEM OF MINE

UNLESS I WANT YOU TO

AND DON’T YOU FORGET IT.

Photo 35

Eileen Moeller and her husband, Charlie, have lived in the Philadelphia area for the last twelve years. She has two books: Firefly, Brightly Burning, published in 2015 by Grayson Books, and The Girls in Their Iron Shoes, published in 2016 by Finishing Line Press, and has many poems in literary journals and anthologies. Her blog: And So I Sing: Poems and Iconography, is at http://eileenmoeller.blogspot.com

Please note: Poetry is compressed to fit smart phone screens. If you are reading this poem on a phone screen, please turn your screen sideways to make sure that you are seeing correct line breaks for this poem.

“Kensington Park Road” by Eileen Moeller

Holding a container of milk in my hand,
I walk to work under the creamy sky,
that usually covers this place,
muffling everything beneath its layer of fat.

The milk is cool in my hand,  and held out like this,
it becomes a talisman against the drunks who rush at me
shouting Help the Homeless, Luv, like two clowns in a reckless ballet,

against the German skinhead boys
who will not part their ranks enough to let me through
so I’m forced to cross in front of and around them.

The end boy shouts a stream of Deutsch words
over shoulder as I pass, and I imagine that cow
is one of them, floating over me: gutteral and ghost white.

I mean it’s a matter of logic to call me that,
since I am the bearer of milk,
its glad tidings gently sitting
on the pillow of my palm
to ward off demons,

as I pass the mother jogging behind a stroller,
the running businessman in his pinstriped suit,
the women in saris at the bus stop,
the private park that says No Entry,
the pub and temple,
a hint of barbed wire
that turns into a crown of thorns
whenever it curves even slightly.

The blessing of milk: part-skim.
Have mercy on us.
Low fat. Pray for us.
High protein. Have mercy on us.
Carbohydrates. Pray for us.
Energy. Grant us peace.

Eileen

Eileen Moeller and her husband, Charlie, have lived in the Philadelphia area for the last twelve years. She has two books: Firefly, Brightly Burning, published in 2015 by Grayson Books, and The Girls in Their Iron Shoes, published in 2016 by Finishing Line Press, and has many poems in literary journals and anthologies. Her blog: And So I Sing: Poems and Iconography, is at http://eileenmoeller.blogspot.com

Please note: Poetry is compressed to fit smart phone screens. If you are reading this poem on a phone screen, please turn your screen sideways to make sure that you are seeing correct line breaks for this poem.

“London: Circle Line” by Eileen Moeller

A woman reads on the Underground
as it drags like a match along the tracks.

A woman wearing a handkerchief linen blouse
on the hot train reads a thick book
about World War II and bites her lip.
A young girl stares at her as she does this.

A girl who sits on her suitcase at the car’s end
with nothing to do but stare at the woman’s
head as it tilts toward the book,
her blunt cut hair, the drama of her face
as it acts out the words.

The words unknown, of course, to the girl,
except for what she can see in the angle of brows,
the pinch of lips, lashes flickering
the way signal lights
pull a train along
beneath the pages of city above.

Images float to those hungry for them.
That’s what they say
and that’s why some angle off
to an old lady at the other end.

A white haired lady frail in her thick coat,
in spite of the heat, who glances full of longing
at the blonde hair of the girl
squinting past her down the car.

This is how it works and always has, just like a fax.
Heat transforming text into text
and the certainty of response:

mysterious as the memory of a young girl’s
first awakenings to the world
as she hunches in silence with strangers
under the ground while London burns.

Photo 35

Eileen Moeller and her husband, Charlie, have lived in the Philadelphia area for the last twelve years. She has two books: Firefly, Brightly Burning, published in 2015 by Grayson Books, and The Girls in Their Iron Shoes, published in 2016 by Finishing Line Press, and has many poems in literary journals and anthologies. Her blog: And So I Sing: Poems and Iconography, is at http://eileenmoeller.blogspot.com
 
 

Please note: Poetry is compressed to fit smart phone screens. If you are reading this poem on a phone screen, please turn your screen sideways to make sure that you are seeing correct line breaks for this poem.