Ayesha F. Hamid

“Come Here Often?” by Patty Somlo

Kevin O’Rourke had been a fixture in the bookstore for longer than anyone in the neighborhood could remember. At one time, the famous poet and owner of Left Bank Books had stood behind the counter, mostly chatting with up-and-coming writers, but occasionally working the register. When the store closed at ten o’clock, or even later on nights there had been a reading in the dark cramped space at the back, O’Rourke climbed the stairs to his spacious flat, where he’d lived going on five decades.

O’Rourke had never married. He was rumored to have been involved with many women, some famous and some not. On the list of his lovers were writers, as well as artists, actresses, and even a handful of models. As a younger man, O’Rourke’s hair had been thick, wavy and black. He wore it stylishly long. His blue eyes were the first thing women noticed, and then his smile.

He no longer stood behind the counter, but some days could be found in a worn upholstered green chair, situated in a quiet corner of the shop. The chair rested in front of a scratched oak coffee table, with other once-comfortable seats that had long ago lost their support. The chairs were meant to encourage customers to linger.

“Lost Chicago” by Joshua Ginsberg

This will be the only key now
to the map that leads back
to that place I left –

All other directions take me
somewhere I don’t know,
down endlessly defeated rows
of broken, boarded windows
and too-quiet streets
beneath the lonesome
shriek of wind.

Empty towers lean shadows
over every intersection
of is and was,
like a just-finished necropolis
of glass and steel

waiting to find
new use.

Joshua Ginsberg is a writer, entrepreneur, and curiosity seeker who relocated from Chicago to Tampa Bay in 2016. He is the author of “Secret Tampa Bay: A Guide to the Weird, Wonderful and Obscure,” (Reedy Press, 2020), and his poetry, fiction, and non-fiction has appeared in various print and digital publications. He maintains a blog, Terra Incognita Americanus and has been a business proposal and resume writer for over 10 years. He currently resides in Tampa’s Town and Country neighborhood with his wife, Jen, and their Shih Tzu, Tinker Bell.

Please note: Poetry is compressed to fit smart phone screens. If you are reading this poem on a phone screen, please turn your screen sideways to make sure that you are seeing correct line breaks for this poem.

“The Eagle and Mrs. B.” by Linda Romanowski

Many a Philadelphia area college student spent those post-Thanksgiving/Pre-Christmas days working at one of the “Big Three” department stores in Center City: Strawbridge & Clothier, Lit Brothers, or John Wanamaker’s. Due to my mother’s influence, I thought working at Wanamaker’s was the best of all worlds. After all, who could resist the classy interior and exterior window displays, the jagged mountain range stroke of the owner’s signature on the side of the building, and the transportation proximity?

Two other striking figures claimed the store’s signature distinction: the Wanamaker eagle and the annual Christmas fountain and light show. The serene and imposing gilded bronze aviary statue was the focal point for gathering, for claiming “lost parents,” and for bon voyages until next time.

Lifting one’s eyes to the sights, sounds, and waving fountain streams of the hourly Christmas performance stopped shoppers in their tracks and delighted the minds of wide-eyed youngsters who rarely cried during those few minutes of awe. My first recollection of seeing the aqua wonder made me fearful, thinking at any moment, the fountains would fall from their upper stage perch and drown the audience below, extinguishing the prancing lights in the process.

Not every pair of eyes welcomed this holiday diversion. My first Christmas working season in the children’s department in 1972 provided a novel view of the saleswomen employed at the makeup counters. The daily music grinding of “Frosty the Snowman” did nothing for their business. No cash registers rung in harmony with “O, Christmas Tree.” Gazers leaned on their pristine cosmetic display cases; their backs turned away from the porcelain faces of Estee Lauderettes, who resorted to makeup remover to erase the handprints and elbow marks on their precious encasements of promised beauty and glamour. No allure of scented bottled blossoms could overpower the lofty sounds and scenery above the audience. It must have been the bane of their existence, their dreams of pocket money ruined by lit-up distraction. One year, I counted viewing thirty-six performances of Rudolph’s very shiny unpowdered nose glowing across the ceiling.

*****

Every college student on Wanamaker’s holiday payroll hoped to work for the main floor supervisor, Mrs. B., known for her kindness. She was a smartly dressed, middle-aged Jewish lady, brownish-black hair coiffed to perfection, with no-nonsense eyeglasses attached to a pearl chain that hung elegantly around her neck. Her high-heeled pumps that coordinated with every outfit gave her an acceptable height, appearing taller than she was. Her trim figure clicked in tandem with her stride. Mrs. B. took the time to acquaint herself with several of us. One afternoon, during the height of the Christmas rush, she announced that she would retain us for the week after Christmas. We were delighted, as it meant money for next semester’s textbooks would be less of an issue. All we needed to do was follow her instructions without variation.

When we punched in on the time clock on December 26th, Mrs. B. led us to an unfamiliar store area, one at a time. We were placed separately in obscure areas of dressing rooms and stock areas, out of the view of the “suits” who might sniff through the aisles looking for post-holiday imperfections. There were close calls, but none of us were spotted. Had we been “caught,” we would say we were Christmas shopping to maintain our ruse. During that week, Mrs. B. was ubiquitous, her eagle eyes surpassing that stony sculpture’s glance on the first floor. We functioned seamlessly as the suits paraded the aisles, praising Mrs. B. for her diligence and attention to detail. I’ll always wonder if the Wanamaker eagle suspected her and kept the secret, among all the others, under its ornate-clad feathers.

Linda M. Romanowski is a graduate of Rosemont College, in 1975 with a BA in Psychology and Elementary Education, and this past May as an MFA graduate in Creative Non-fiction. She was assistant editor of Non-fiction for Rathalla magazine, Rosemont’s literary publication. Her Italian heritage-based thesis, “Final Touchstones”, earned with distinction, is scheduled for publication by Sunbury Press within the coming months. Several of the essays from her pending book were published on City Key, Ovunque Siamo and the Mario Lanza Institute Facebook page. She recently reviewed Ellen Stone’s poetry book “What is in the Blood” for the online Philadelphia Stories 2021 Fall issue. Her poem, “Seen In Translation” was selected for inclusion in the Moonstone Arts Center Protest 2021-100 Thousand Poets for Change.

“Venice” by Serena Piccoli

Serena Piccoli (she\her) is an Italian, speechless charlatan who writes poems and plays about contemporary social issues and takes photos of nature and graffiti writing.

Twitter: @piccoli_serena https://serenapiccoli.wixsite.com/serenapiccoli

Two Poems by John Grey

On the Way to the Job

Another morning.
Traffic’s where I live.
It moves. It stops.
It stops some more.
Only traffic can freeze the scenery.
Only traffic can reduce the world
to the bumper stickers of the car in front,
the face of the driver
in the rear-view mirror.
Luckily, I’m going someplace
I do not wish to be.
This is my preferred speed.
It almost doesn’t get me there.

Morning in the Alley

Sunrise seizes on those
already with cheap gin on the tongue
like a slow, non-violent reflex action,
sets aside some shadow for the alley
but shines a thimbleful of light
on gray eyebrows, malted hair.
The world is busy elsewhere
but these men sit still
for whatever the sunshine brings,
everything patient about them
except their thirsts.
The day seeks out trembling lips.
shaking lingers.
a bottle passed around like gold,
a few cuss words
and an itching of the groin,
Dawn knows where to get a drink
at this time in the morning.

John Grey is an Australian poet and US resident. He was recently published in New Plains Review, Stillwater Review and Big Muddy Review with work upcoming in Louisiana Review, Columbia College Literary Review, and Spoon River Poetry Review.

“Notre Dame” by Patrick Vitullo

Was its best face seen from

the Quai de la Tournelle,

Pont de L’Archeveche,

or Square Jean XXIII?

Whether the proboscis of facade

or the gothic grey body worded

and etched from the bookseller’s stalls

on the Quai de Montebello,

every look was different.

An arch of neck brought one up

its twin towers and shunned down

the spouting gaff of gargoyles.

Its rose window bloomed before the Seine

while pigeons peripatetic gathered

en masse before a statue of Charlemagne.

A man bedecked in the

beauty of his language

asked for francs, a baguette,

and then, when none were offered,

simply said, bonjour.

Like the countenance of its people,

that lean church beveled

its spire to the sky.

As Emmanuel tolled

solemnly the moment when

Christ died, the Elysian arms of

Our Lady buttressed

the man’s tired hands.

And all Paris

foamed in the wake of a bateau-mouche.

Patrick Vitullo is a writer, poet, essayist, and world traveler who lives in Havertown, PA. He was awarded the 1979 John T. Fredericks Prize in Literary Criticism by the University of Notre Dame where he graduated with a B.A. in liberal arts. He also has a law degree from Villanova University and limits his law practice to representation of injured workers. Patrick has been published in The Philadelphia Inquirer and The Antigonish Review.

“Predications of the Municipal” by Colin James

Your wrecking ball smashed into
my theater’s old brick walls
past a surprised audience,
onward through the stage’s
painted canvass backdrop
releasing a cast of amateurs.
The Rimbaud posters
in the dimly lit dressing room
peeled at the edges.

Colin James has a couple of chapbooks of poetry published. Dreams Of The Really Annoying from Writing Knights Press and A Thoroughness Not Deprived of Absurdity from Piski’s Porch Press and a book of poems, Resisting Probability, from Sagging Meniscus Press.

“9/11” by Pete Mladinic

In Cather’s story, “Paul’s Case,”
after the coach rides, the baths,
the tortoise shell brushes, mirrors,
satin sheets, chandeliers,
plush carpets and ornate tables,
after the champagne and caviar feast,
Paul takes his baggage of flesh
draped in soft clothes
onto a final coach
into final woods, and down to the tracks,
and hurls himself into the path
of a locomotive,
choosing this form of death over poison,
pistol, or rope. It seems
he wants nothing to remain of Paul,
wants Paul himself obliterated,
wiped clean from earth’s map,
no corpse, no likeness for mourners
to view and close the lid on,
and lower into an earthen hole.
Now, a hundred years after Cather’s Paul,
a father named Paul bids his family
goodbye,
not knowing it’s his final goodbye.
A farewell in the dark: he leans
to kiss his wife’s cheek,
and then to the room of his sleeping son,
also Paul (an only child of an only child),
and leans and kisses his son’s brow
and, with light approaching from the east,
walks out his gate and leaves
his familiar street, not knowing
the finalities of these minutes
of September 2001, and to others
“on floor” when the plane crashes
through, and the sky falls
and turns into a celestial inferno.
Nothing left of September Paul
and those on his floor, nothing left
of the floor, or the shoes
he was wearing, or his teeth,
his wallet, nothing left there.
How could he have so much, one moment,
and then not even his teeth, his hair,
his family. How different his case
from that of Cather’s brooding protagonist.

Pete

Peter Mladinic’s poems have recently appeared in Neologism, the Mark, the Magnolia Review, Ariel Chart, Bluepepper, and other online journals. He lives, with six dogs, in Hobbs, New Mexico. 9/11 originally appeared in Academy of the Heart and Mind.

“Lips Boudreaux” by James Knipp

The fat guy at the bus stop reminded Leonard of Tug Rooney. He didn’t especially look like Tug. The fat guy was tall and white and had the well-fed jowls and loud, bright voice of a suburban Rotarian, while Tug was short and gimpy with ashen skin and an asthmatic wheeze brought on by breathing decades of smoke. It was more in the way they both could spin into a tale, the way the audience leaned in expectantly, especially the ladies, and how each always ended with a flourish, riding a wave of laughter through the finish. Leonard had once asked Tug how he did it, how he commanded such attention.

Tugs had put one hand on the back of Leonard’s neck and drew the younger man closer so he could smell the stale beer and cigar smoke that seeped from his pores. He pointed at Leonard, the ever-present stub of cigar wedged between his fingers and said in his broken, sibilant croak, “Lips, you believe in what you say, people will follow, understand?”

Leonard, not quite a whisker past twenty at the time, didn’t, but he nodded all the same. That was just how he was with Tug, when he asked, you nodded. He had that way of making you agree.

The Rotarian at the bus stop finished his story and the ladies around him cackled laughter. A bus growled up to the stop, belching diesel, and he strode away. The ladies watched him leave with bird-like avidity, their eyes bright and admiring.

“He’s so nice,” one of them whispered. The others nodded approvingly.

“Abandoned Tenements” by Peter Mladinic

I lose the insomnia contest.
Someone stays awake the longest
who looks like but is not yours
truly. In a drawing contest I draw despair
as walls of black windows, hollow space.
Crossing the street I step up my pace
in the contest to see who leaves wins.
I stay on the street abandoned,
not wondering where did they go,
only mesmerized by the dark hollows
that were windows people looked out.
The next contest, to see who’s proud.
Yet I’m fixated on the empty street,
abandoned tenements, summer heat.

Peter Mladinic’s poems have recently appeared in Neologism, the Mark, the Magnolia Review, Ariel Chart, Bluepepper, and other online journals. He lives, with six dogs, in Hobbs, New Mexico.