Many a Philadelphia area college student spent those post-Thanksgiving/Pre-Christmas days working at one of the “Big Three” department stores in Center City: Strawbridge & Clothier, Lit Brothers, or John Wanamaker’s. Due to my mother’s influence, I thought working at Wanamaker’s was the best of all worlds. After all, who could resist the classy interior and exterior window displays, the jagged mountain range stroke of the owner’s signature on the side of the building, and the transportation proximity?
Two other striking figures claimed the store’s signature distinction: the Wanamaker eagle and the annual Christmas fountain and light show. The serene and imposing gilded bronze aviary statue was the focal point for gathering, for claiming “lost parents,” and for bon voyages until next time.
Lifting one’s eyes to the sights, sounds, and waving fountain streams of the hourly Christmas performance stopped shoppers in their tracks and delighted the minds of wide-eyed youngsters who rarely cried during those few minutes of awe. My first recollection of seeing the aqua wonder made me fearful, thinking at any moment, the fountains would fall from their upper stage perch and drown the audience below, extinguishing the prancing lights in the process.
Not every pair of eyes welcomed this holiday diversion. My first Christmas working season in the children’s department in 1972 provided a novel view of the saleswomen employed at the makeup counters. The daily music grinding of “Frosty the Snowman” did nothing for their business. No cash registers rung in harmony with “O, Christmas Tree.” Gazers leaned on their pristine cosmetic display cases; their backs turned away from the porcelain faces of Estee Lauderettes, who resorted to makeup remover to erase the handprints and elbow marks on their precious encasements of promised beauty and glamour. No allure of scented bottled blossoms could overpower the lofty sounds and scenery above the audience. It must have been the bane of their existence, their dreams of pocket money ruined by lit-up distraction. One year, I counted viewing thirty-six performances of Rudolph’s very shiny unpowdered nose glowing across the ceiling.
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Every college student on Wanamaker’s holiday payroll hoped to work for the main floor supervisor, Mrs. B., known for her kindness. She was a smartly dressed, middle-aged Jewish lady, brownish-black hair coiffed to perfection, with no-nonsense eyeglasses attached to a pearl chain that hung elegantly around her neck. Her high-heeled pumps that coordinated with every outfit gave her an acceptable height, appearing taller than she was. Her trim figure clicked in tandem with her stride. Mrs. B. took the time to acquaint herself with several of us. One afternoon, during the height of the Christmas rush, she announced that she would retain us for the week after Christmas. We were delighted, as it meant money for next semester’s textbooks would be less of an issue. All we needed to do was follow her instructions without variation.
When we punched in on the time clock on December 26th, Mrs. B. led us to an unfamiliar store area, one at a time. We were placed separately in obscure areas of dressing rooms and stock areas, out of the view of the “suits” who might sniff through the aisles looking for post-holiday imperfections. There were close calls, but none of us were spotted. Had we been “caught,” we would say we were Christmas shopping to maintain our ruse. During that week, Mrs. B. was ubiquitous, her eagle eyes surpassing that stony sculpture’s glance on the first floor. We functioned seamlessly as the suits paraded the aisles, praising Mrs. B. for her diligence and attention to detail. I’ll always wonder if the Wanamaker eagle suspected her and kept the secret, among all the others, under its ornate-clad feathers.
Linda M. Romanowski is a graduate of Rosemont College, in 1975 with a BA in Psychology and Elementary Education, and this past May as an MFA graduate in Creative Non-fiction. She was assistant editor of Non-fiction for Rathalla magazine, Rosemont’s literary publication. Her Italian heritage-based thesis, “Final Touchstones”, earned with distinction, is scheduled for publication by Sunbury Press within the coming months. Several of the essays from her pending book were published on City Key, Ovunque Siamo and the Mario Lanza Institute Facebook page. She recently reviewed Ellen Stone’s poetry book “What is in the Blood” for the online Philadelphia Stories 2021 Fall issue. Her poem, “Seen In Translation” was selected for inclusion in the Moonstone Arts Center Protest 2021-100 Thousand Poets for Change.
THE CITY KEY 