“Alphabet City” by John Repp

I’d walked the length of Murray Avenue many times
& strode up or down Forbes disdaining bus exhaust & rain,
stopping on the public course’s first tee to marvel at the lights,
an industrial tang suffusing the Pittsburgh air then, Flagstaff Hill behind
or just ahead, depending, but this was the far-downtown bedlam
of Manhattan, where I couldn’t help thinking myself
one of Whitman’s roughs while seventeen times a block
being revealed as a permanent rube. My new wife motored

down the sidewalk when one existed & zoomed faster
when all we had was asphalt or plywood-roofed scaffolding.
The noise obliterated metaphor. To keep pace, I imagined myself
Frank O’Hara & patted my pocket notebook. She yelled when I stopped
to answer the first few nut jobs ranting at my helicopter & gold bullion.
At the red light, she said, “You’ll never get anywhere like that.”

John Repp is a writer, folk photographer, and digital collagist living in Erie, Pennsylvania. His most recent collection of poetry is Never Far from the Egg Harbor Ice House, published by Sheila-Na-Gig Editions. Scads more information about Repp, his work, and his interests/obsessions can be found on his website: http://www.johnreppwriter.com

“Under a Verdigris Streetlamp” by Sara Backer

Please note: Poetry is compressed to fit smart phone screens. If you are reading this poem on a phone screen, please turn your screen sideways to make sure that you are seeing correct line breaks for the poem.

Paris Street; Rainy Day by Gustave Caillebotte

“Like real weather atomized”—Ciaran Carson

Caillebotte’s pale clouds fight to hold back
the sun, rain pooling between worn cobblestones, a shimmering
veneer, flatiron buildings nosing into a five-point intersection.
When I went to Paris, neon lit a dark sky. Cobblestones now paved.
Wheezing buses blocked my view. Caillebotte’s streets have no cars.
Pedestrians space themselves, walking in all directions, holding identical
umbrellas, large and curved, the color of sealskin. The closest couple
turn their placid eyes to look at something beyond the edge
of the canvas. The man wears a top hat and bow tie. His wife
wears diamond earrings and a fur-collared coat. She holds his arm
that carries their umbrella high. Brick walls, muted ochre, could be gold
with a bit more optimism, sluiced in the mesh-like rain.
My December was chilled by drizzle, no coffee or brandy capable
of even transient warmth, and I, who cherished solitude, wished
I had someone to joke about conformity or bourgeoisie. I rode
the warm subways so often I memorized metro maps.
At Gare Saint-Lazare, a couple asked me how to get to Opera.
I understood their question, told them in French how to get there.
My sudden competence thrilled me! The husband frowned
and murmured, elle n’est pas francais. They asked a young man
the same question and he repeated my answer. Suddenly sick
of rain and trains and tiny cheese sandwiches,
that evening I left for Italy.

Sara Backer’s first book of poetry, Such Luck, follows two chapbooks: Scavenger Hunt, and Bicycle Lotus, which won the Turtle Island Chapbook Award. Recent publications include Lake Effect, Slant, CutBank Online, Poetry Northwest, Poetry Ireland, and Kenyon Review. She lives in New Hampshire and is currently writing novels.

“Angle Town” by Hugh Findlay

Hugh Findlay’s writing and photography have been published worldwide. Nominated for a Pushcart Prize in 2020 for poetry, and the Best Microfiction Anthology 2024, he is in the third trimester of life and hopes y’all like his stuff. Instagram: @hughmanfindlay. Portfolio: https://hughmanfindlay.com

Three Poems by Ed Meek

Soundtrack of the City

The soundtrack of the city
can keep you up nights
or hum in the background
a discordant tune of wheels turning
and gears interlocking, trucks
unloading, planes taking off
and coming down.
The bass thumping in a passing
smoke-filled car. A Harley roaring
down the street. Sirens wailing
of rescues and D.O.A.
daytimes the volume
jumps to life with the birds
who serenade leaf blowers, lawn mowers,
horns, the ebb and flow
of traffic, the heavy breathing buses
the scraping skateboards,
barking dogs. The disembodied voices
of neighbors you’ll never know.

The Reserved Section

I’d wandered into the reserved section by mistake
but the performance had begun
and it was too late to escape
to the seats for the general public
my inexpensive ticket already paid for.
It was as if I had pulled back the curtain
and entered the first-class cabin–
been admitted to the club
and seated at the head table.
The champagne was vintage.
The caviar Russian.
The lights dimmed.
I was just behind
a Guggenheim and a Rockefeller.
They didn’t seem to see me.
I was invisible as I often am.
For once it was an advantage.
I glanced down the row at two
black women who smiled and nodded.

Hostages to Heat

In Brooklyn when the temp hits 90
the heat invades our claustrophobic co-op.
Outside, the cement sends the heat
up through our bodies in waves.
We float in our sweat like seals in the shallows.
I used to love the feel of sweat
blanketing my body
running in the mid-day sun
and playing pick-up basketball on black tar.
Now we dread summer days when
an orange disk occupies a hazy sky,
Particles of ash coat our lungs
and the sunlight sears our eyes.

Ed Meek is the author of four books of poetry and a collection of short stories. He has had work in The Sun, The Paris Review, Plume, The North American Review, The Boston Globe. He writes book reviews for The Arts Fuse. He is a contributing editor for The Rivanna Review. He teaches creative writing at the Osher Lifelong Learning Institute. He lives in Great Barrington with his wife Elizabeth and their labradoodle Mookie. His most recent book is High Tide.

“How to Survive Rain in Los Angeles” by Miro Myung

New moon in Aries, and the rain is pounding down on Los Ángeles. Patio furniture is tested throughout every neighborhood as parrots take shelter in the branches guarding us from high above. Love is a theme of this erotic moon phase–as well as the honking of car horns as the 110 South dangerously fills with standing water. Disjointed, disoriented, chaotic flow of the city that captures so many of our imaginations slowly molds you into its form: flexible jelly with a core of steel.

This is one of those days where it seems safer to just stay in bed. It sounds bad out there I think to myself as the beeswax candle cultivates a world of shadows on my bedroom walls. It’s 6:42am and the forecast is already set–scroll down and down, fall in and out of love with the bathroom mirror, cook dinner with your ex, play tug-of-war with your dog–do anything but open that front door.

But if you do have to leave, make sure to have water in your car in case you get sucked into a sinkhole on Sunset Boulevard and eat a healthy breakfast, but–no eight-hour fasting-whole-thirty kind of thing. Eat something hearty that gives your day a “leg up” or a “leg sideways” so that you can circumnavigate the loneliness of rain in Los Ángeles. The only certainty of today is that we will all have patio furniture that is going to be sixty-percent rot by summer and that our collective anxiety about the rain pounding that engineered Ikea wood will also hold us back from saving our four-legged friends from their fate. When it rains in Los Ángeles we live in denial–like when it’s 108 degrees Fahrenheit–we put a podcast on, throw some boy-brow gel on or whatever makeup makes you feel more ghastly and beautiful, and traverse through the city like it’s made for living.

To live in Los Ángeles is to be in love with the non-ending. Other cities might promise you solid conclusions–you know the neighborhoods well enough to predict the calm dinner out with the same friends, you know that people will complain about traffic and the influx of tech workers, you know that there will be no crowd spilling out of the neighborhood bar on a Tuesday night, you know that if you are lucky enough you will end well here in a way that will satisfy the order of things–a house, a career, a marriage, and even a golden retriever.

To live in Los Angeles is to be in love with the non-ending; a neighborhood bar is hard to locate because the highways keep beckoning you further and further into the tangled web of homes and palm trees and tiny restaurants bursting at their seams and linen-wearing humans picking herbs in Griffith and hidden farms in South Central twirling disco balls over colorful chickens and bowling alleys that sit along train tracks serving sukiyaki and cheese fries. This is a city of lonely transplants mixed impossibly with families who have lived here for generations and they clash in their cultures, but together, fall in love with the clean air after a steady rainfall.

On the highway is where I find my largest community–I used to think of myself as entering the herd, but now I see it as a convergence of “we’re all in this together” mentality and a “we are also very fucked” thought process. I love it. Does that make me abnormal? I’m not sure if Los Ángeles has a barometer for “normal” like smaller, more organized towns do. To be wacky, loud, disruptive, joyous, angry, and incredibly scared is to blend in here. If you’re not a little worried from time to time you’re not driving through the city enough.

Yet within the chaos are microcosms of sensual peace–Ethiopian jazz filtering through old speakers as lemon trees drip water onto terracotta tiles, smoke from chicken being barbecued in a grocery-store parking lot that captures your imagination, sunbeams melting over two-story level buildings in Koreatown, waves in Malibu tilting towards land boasting their dolphins, the clinking of glasses in old Hollywood steakhouses where the red velvet looks better in the dim light, spiraling labyrinths in Topanga Canyon where hikers hug the famous tree, mornings in your bedroom as you listen to the music of horns and rain and parrots and your neighbor chuckling to herself.


Miró Myung published articles in Tom Tom Magazine, a poem in Luna Collective Magazine, LA County Library’s “Love Letters in Light,” and co-published poetry book “Almanac of Tiny Clouds.” She does visuals for indie band Tangerine featured in NME, The Guardian, Rolling Stone India, Billboard with a BFA from UCLA.

“Temp Job” by James B. Nicola

Walk down Fifth Avenue for lunch hour when
you have a temp job in the Forties or
the Fifties; next day, do the walk again
and I’ll bet you a hundred to one you’re
not going to see any of the same
faces. I did this for about a year
when suddenly I thought I heard my name,
or something similar (I’m still not sure).

I turned and shook a total stranger’s hand.
He squeezed, I think, my upper elbow too
as if some mutual past permitted such
a thing. The passing gesture, so unplanned,
impressed me. I could not say where he knew
me from, but I shall not forget that touch.

James B. Nicola, a returning contributor, is the author of eight collections of poetry, the latest three being Fires of Heaven: Poems of Faith and Sense, Turns & Twists, and Natural Tendencies. His nonfiction book Playing the Audience: The Practical Actor’s Guide to Live Performance won a Choice magazine award.

Two Poems by Shontay Luna

Chicago (in the early ‘90s)

I. North Side – A Yuppie and Generation X
potluck constantly battling each other as they
sit between streeted throngs of decapitating
movie theaters, army surplus and fetish shops.
A full day’s shopping on Belmont from the Red
Line; two blocks from west to east you can get
a burger, tattoo, condoms, and a doughnut in all
in one swing. Baseball’s most disillusioned fans
in their red and blue regalia, herd themselves
bleary eyed with Pabst in hand four blocks
north of the urban jungle.

II. South Side – Baseball’s flip side, slightly more
civilized but still hungry~ Chinatown a world by itself
within another windy one. Walking down it’s on avenue
encompassing; like passing through an avenue of
time. Bronzeville used to be a glistening as it sounded;
the ensuing decades dulling it’s former polish. Former
middle class turned buppieville Chatham reigns further
south while Hyde Park gives off Greenwich Village
vibes while providing a landscape for a generation x
stomping ground to the east.

III. West Side – Mexico’s a Little Village and a modernized
time travel trip upon the twenty and the 6. Helplessly dotted with
year – round molasses ass traffic before disappearing into
the realms of Cicero and Berwyn. Beyond that, the Spindle
and the mall. Commercialism a beer belly in a too-tight shirt.
Northeast of that, urban poverty simmers and reeks while
suburban spectators cheer for the Bulls.

IV. East Side – Waltzes with Indiana’s frontier, hugging the
farthest curve of Lake Michigan. Beaches of rocky shores
and outlines of warehouses that billow smoke in the not too
far distance. Ten miles south of downtown, it once was an
area of factories: its hardworking streets lined with rows of
homeowners who worked at any of the five steel mills in
the area. Offering anything along Commercial Avenue
so as not be bothered with making the lengthy trip downtown.
For a taste of aged cornucopia, come to my home, Chicago.

Typical Chicago Weather

The gentle
branches
flutter in
the early
Autumn
breezes
traveling
in July.
Weaving
through
pavé glass
vases
embellished
in color
crepe squares,
jumbled into
pixelated
rainbows.

Chicagoan Shontay Luna is a poet, blogger and fanfiction author. Her work first appeared in Anthology and Capper’s and her most recent appearances include The Crucible, Press II Press and Blue Lake Review. Her newest book is ‘The Goddess Journal – a tool for unlocking the Goddess within every Woman.’

“Sailing to Sanctuary” by LindaAnn LoSchiavo

Please note: Poetry is compressed to fit smart phone screens. If you are reading this poem on a phone screen, please turn your screen sideways to make sure that you are seeing correct line breaks for the poem.

“Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!”  Emma Lazarus, 1883

What made them leave their native lands by boat?

Some heard fierce military thunder, saw
A blood moon rise in new duplicitous
Skies gone gunmetal gray, ruth camouflaged.

Some farmers ached from death’s cruel carpet ride,
Drought, famine, floods, the disintegration
Of dreams, all gone, one at a time.

Some faced more personal oppression: skin
Tone, birthright’s claims denied, religious foes,
Recognizing that falsehoods were designed
To dominate. Truth’s weapons were inert.

Some knew their powerlessness to outgrow
A humble past or lifelong poverty.

Approaching Ellis Island, side by side,
Examining our Lady Liberty,
Dropping an arm’s warm anchor happily
Around each other’s neck, they sense change
Is close along with assimilation — —
The circularity of homeland’s quest.

LindaAnn LoSchiavo: Native New Yorker. Elgin Award winner. Nominated for The Pushcart Prize, Best of the Net, Ippy, Firecracker, etc. Member: BFS, HWA, SFPA, Dramatists Guild. Recent titles: “Vampire Ventures,” “Apprenticed to the Night,” “Always Haunted: Hallowe’en Poems.”

https://VampireVenturesPoems.com
LindaAnn Literary: https://www.youtube.com/channel/UCHm1NZIlTZybLTFA44wwdfg